Archaeological Dig

by Betsy Ashton

Betsy Ashton, born in Washington, DC, was raised in Southern California where she ran wild with coyotes in the hills above Malibu. She protested the war in Vietnam, burned her bra for feminism, and is a steadfast Independent. She is a writer, a thinker, the mother of three grown stepchildren, companion and friend. She mentors writers and writes and publishes fiction. Her first mystery, Mad Max Unintended Consequences, was published in February 2013. The second in the series, Uncharted Territory, A Mad Max Mystery, came out in April 2015. In her spare time, she is the president of the state-wide Virginia Writers Club. She loves riding behind her husband on his motorcycle. You’ll have to decide for yourself if and where she has a tattoo.

October 7, 2009

When I write a first draft, I keep a list of CDs I listen to, often by chapter. As the mood of a chapter changes, so does the CD in the player. Sometimes all I listen to is a single song over and over, until the chapter is complete. Other times, I put on a CD and let it play.

I like to edit and revise to the same music to see if it still sets the right tone. But when I reopened Shades of Pale, the second Mad Max manuscript, I couldn’t find the play list. I dug through my various thumb drives, backed up CDs, my external hard drive and my three laptops to find it. I still couldn’t find the play list. I dragged out shovels and dental picks, brooms and tiny brushes just like I did on a dig one summer back in college. And I nearly panicked. Eventually, I found a rather tattered CD tucked into the wrong physical file folder. Voila! The play list.

I have now added the songs and CDs under the title of each chapter so that I don’t lose it again.

It will be interesting to see if the songs still inspire, or if they have lost their allure in the past few months since the manuscript rested in repose on a shelf. More on that as I get deeper into the editing.

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2 Comments

  1. Clementine

    I relate with this. Jamie Johnson's single In Color came out about the time I finished Attack at Fleetwood Hill. The first time I heard it I was driving – it made me cry. I could see my characters trying to out run the enemy in my head. Music is a powerful thing, isn't it?

  2. Betsy Ashton

    This is a tip I learned from a script writer. When she was working on a TV script, she logged her music choices. Some made it onto the show. So, yes, music is very powerful.