Getting Started

by Betsy Ashton

Betsy Ashton, born in Washington, DC, was raised in Southern California where she ran wild with coyotes in the hills above Malibu. She protested the war in Vietnam, burned her bra for feminism, and is a steadfast Independent. She is a writer, a thinker, the mother of three grown stepchildren, companion and friend. She mentors writers and writes and publishes fiction. Her first mystery, Mad Max Unintended Consequences, was published in February 2013. The second in the series, Uncharted Territory, A Mad Max Mystery, came out in April 2015. In her spare time, she is the president of the state-wide Virginia Writers Club. She loves riding behind her husband on his motorcycle. You’ll have to decide for yourself if and where she has a tattoo.

August 13, 2018

As a writer, I’m often asked where do I find my ideas? How do I get started?

I start with two words: What if. I find this works with everything I write, whether it’s a short story, a novella, or a novel.

Take my Mad Max series as a starter. In Max 1, Unintended Consequences, the what if question was: what would happen if a mother decided she no longer want to take care of her children? When Max’s daughter emerges from a coma after a terrible car accident, she is diagnosed with having a traumatic brain injury. Her entire personality changes, and not for the better. This leads Max to have to decide what role she will play in raising her two grandchildren.

Max 2, Uncharted Territory, raises the bar with what would happen if the family were suddenly thrust into an alien environment? That environment is post-Katrina Mississippi, a food desert, a land washed clean by the tidal surge, a land where locals were suspicious of any outsider. Max has to figure out how to keep a growing, extended family clothed and fed, all the while keeping her eyes open for new perils.

And in Max 3, Unsafe Haven,  the what if question is what would happen if you took your grandson to a hospital to set a broken leg and all hell broke loose? How would Max cope with fears of losing both her grandson and her boyfriend at the same time?

You see where I’m going with this. The right what if question sets the stage for everything to come. So when I began working on my latest, Out Of the Desert, my what if question was personal, very close to home. When I was twelve, my favorite cousin died. He was a year older. I’ve always wondered what he might have become, as any parent who has lost a child wonders. My cousin wouldn’t leave me alone.

He emerged in a short story named “Toad,” which I was lucky enough to have accepted in the VWC Centennial Anthology. Toad was a dreamer. My cousin was a dreamer. Therein lay one comparison. I thought the short story would be the end of writing about Toad. Now, 80K words into the second major rewrite, I’m drawing to a close on the story of what might have happened. Toad grows up. He experiences love and loss, success and sorrow. He wonders if Thomas Wolfe was wrong. Could he go home again? And that, dear friends, is the impetus for the novel in stories. What if he did go home again? What would Toad the man find? Would he find Toad the Dreamer alive inside him after four decades?

I’m not one for spoilers. I’ll have to see how the ending plays out. But, what if I hadn’t listened to my cousin’s voice? What if I hadn’t cared enough to imagine a life beyond age thirteen?

What are your what if triumphs?

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