Writing Tips from Rex Bowman

by Betsy Ashton

Betsy Ashton, born in Washington, DC, was raised in Southern California where she ran wild with coyotes in the hills above Malibu. She protested the war in Vietnam, burned her bra for feminism, and is a steadfast Independent. She is a writer, a thinker, the mother of three grown stepchildren, companion and friend. She mentors writers and writes and publishes fiction. Her first mystery, Mad Max Unintended Consequences, was published in February 2013. The second in the series, Uncharted Territory, A Mad Max Mystery, came out in April 2015. In her spare time, she is the president of the state-wide Virginia Writers Club. She loves riding behind her husband on his motorcycle. You’ll have to decide for yourself if and where she has a tattoo.

May 6, 2009


On Saturday, May 2, Virginia Writers Club hosted a discussion on writing with Rex Bowman at the Westlake Library at Smith Mountain Lake. Rex is a recently dismissed reporter from the Richmond Times-Dispatch. (Forget the fact that Rex has been nominated twice (!) for the Pulitzer Prize. He still got the axe with T-D downsized its staff. Little do they know what they lost.)

Rex is the author of Blue Ridge Chronicles. He follows the lead of such great storytellers as Ernie Pyle, John Steinbeck with Travels with Charlie, and William Least Heat Moon with Blue Highways. Rex talked about writing. What he dubs his “great truths” reinforce what most of us who write try to achieve. In no particular order, here are some of the truths he discussed.

  • Landscapes don’t become interesting until you put people in them. How many of us have read lengthy descriptions of landscapes, places, interiors, and have fallen asleep because nothing is happening??
  • Write about ordinary people. I’d add, write about ordinary people in original settings. I don’t want stream of consciousness or gritty reality (Herman got up, peed, brushed his teeth, made toast and coffee — well, you get the idea. Do write about ordinary people doing extraordinary things.
  • Spend time listening to people. Everyone has a story. Listen carefully. Stories are material. Use what you hear shamelessly, but fictionalize the names, situations, etc. After all, you don’t want your friends to say, “Hey, you’re writing about me!” They will anyway, if the portrait is flattering. If it isn’t, you don’t want to be sued.
  • Use your own voice. It’s what makes you unique. At the same time, let reflections of other voices come through. You can channel these other voices without losing the purity of your own.
  • Be a storyteller, not a writer. Enough said. If the story isn’t compelling, no one will read it.
  • Use sensory details. This is a little more difficult. It’s nearly impossible to describe a smell, but it’s possible to use that smell to evoke emotion. Think the madeleine and Proust, but don’t go on for pages about the smell of a cookie and the memories it brings to Proust’s character.
  • The quality of language has to match the subject matter. This is esoteric. Imagine a thriller written by Jane Austen. It wouldn’t work. Imagine a steamy romance written by Tom Clancy. It too wouldn’t work.

    Overall, the meeting was excellent and well attended. I captured pictures for the local papers. Not all will make it into the paper, however. Keith, I did not send this along!
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    2 Comments

    1. Becky Mushko

      Drat! I was gonna blog about Rex's advice, but you scooped me.

      It was a daggone good presentation, wasn't it? Stuff that a lot of writers need to hear.

    2. Anita

      Thanks for sharing your notes…sounds like it was a fun experience!