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Eyes Without A Face

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Getting Inside Your Character’s Heads

April 23, 2018

Any of you who have read my work know I love writing in the first person singular. Why? Because I can get deeply inside a character and gaze out through her eyes. I can say “her,” because so far all of my first-person works have had female main characters. I really like the narrowed lens of a singular point of view. I don’t want to know more about what’s going on beyond what my character sees, feels, smells, etc.

I’ve stayed with one character for a three-book series, the Mad Max Mystery series. Max is a grandmother, a youngish grandmother. She’s smart, rich, sexy, and snarky when she needs to be. She’s strong minded and strong willed, a force of nature not to be messed with, particularly when it comes to her family, extended and nuclear. She can go from mild-mannered to tiger mom in 3.5 seconds flat.

Max is as familiar to me as my own husband. I know what she thinks (not that I ever really know what my husband is thinking). I know what she carries in her Jimmy Choo handbag. I know what she keeps on her bedside table, on her bureau, in her medicine cabinet. I know what caliber of gun she carries.

Writing Max is as comfortable as sliding into a favorite bathrobe and pair of bunny slippers, until she does something that surprises me. As I said, writing from inside her head leads me places I hadn’t anticipated. I can put her in a situation and get out of her way. Readers seem to like her, so I continue.

On a challenge, actually a dog-dog dare, I decided to leave the Max comfort zone and delve into the dark realities of a psychopath. At least, I think That Thing is a psychopath. She’s not sure, and since she tells her own story in EYES WITHOUT A FACE, who am I to argue.

I had to do a ton of research into various personality disorders. She could have been a sociopath or a psychopath, except she denies she’s either. She is a narcissist, because she thinks only she can get revenge for people who are victimized and can’t stand up for themselves. She hates people who prey on the weak, women, children, the elderly. A compendium of our society. She thinks she’s the only one who can get rid of the perpetrators, because justice is too slow for her liking. She might be a vigilante. She might not.

That Thing doesn’t want you to put her in any kind of box, with or without bars. She refuses categorization. She acts with conviction and with a range of poisons, knives, and ice picks. She doesn’t use guns. Too noisy. Harder to kill up close and personal. No exploding heads, either. Her kills are tidier.

How hard was it to write Mad Max and That Thing concurrently? Damned hard. One was easier. I took a break from dark personality disorders, until Max had to deal with a demented, delusional villain in UNSAFE HAVEN. Then, the personalities merged.

I’ve heard from readers of both books. They say I scared them with That Thing. Good. That means they got into the story and into her rationale. What they didn’t like was rooting for the “bad guy.” Actually rooted for That Thing.

Thank you. You got the book.

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Betsy Ashton is the author of the Mad Max Mystery series. Her stand-alone serial killer novel, EYES WITHOUT A FACE, is a departure from her normal fare.

Author Interview, Betsy Ashton, Eyes Without A Face, Featured, Lifestyle, Psychological Mysteries, Psychopaths, Suspense, Writing, Writing Style

An Interview With An Author, Part I

January 29, 2018

Recently, I sat down with an Intrepid Reporter who wanted to talk about my serial killer book, EYES WITHOUT A FACE.

Intrepid Reporter: I understand you recently wrote a book about a female serial killer. Do I have that right?

Me: Well, since you are reading from the press release, yes, you have that right.

IR: What ever possessed you to write about such a dark subject?

Me: Nothing possessed me, if you mean, was I taken over by a spirit or something like that?

IR: Huh?

Me. It was the result of a double-dog dare. You can never turn down a double-dog dare.

IR: Really? Who dared you?

Me. I took a course on writing mysteries a few years back. One of our challenges was to write the first sentence of a mystery. I wrote: “My sorority sisters were into sex, drugs, and rock and roll, but that wasn’t enough for me. Then, I killed someone and found my true calling in life.”

IR: Well, now.

Me: That’s what the teacher said. She went on to double-dog dare me to turn the opening into a novel. I did.

IR: May I assume you are not a serial killer?

Me: You may.

IR: How were you able to get inside the head of such a, um, well different character?

Me (signing): It’s called using the creative gene. I imagined what it would be like to be a killer and wrote about it. Simple as that.

IR: I think it would be very hard to write this book in first person.

Me: No harder than in third person or from the point of view of a dog.

IR: A dog?

Me: Never mind. It was a challenge, but one I was ready to take on. I’d never written anything with such an unlikable character. Strike that. Some people think she’s likable.

IR: Eeuw! Really?

Me: Really.

IR (shaking her head): I couldn’t, but then again I’m not you.

Me: And you should be glad you aren’t. Imagine what my husband had to live with for the three years it took to shape and polish the book.

IR: I’d rather not. Let’s move on. The cover is very chilling.

Me: It’s supposed to be. I asked my son to put on a hoodie and ski mask that covered his lower face. I gave that picture to a cover designer who took out the rest of his skin, overlaid the eyes, and created a character without a face but with eyes that follow you.

IR: I can’t imagine what your dinner table conversation is like.

Me: Pretty normal, actually, except talking about using KA-Bars or switchblades for killing.

IR: But you don’t have a KA-Bar in the novel.

Me: Aha, you have read the book. I did, but I took the scene out. I may use it as a short story because I love one line in the section: “I don’t use guns because you never have to reload a KA-Bar.”

IR: I think it’s time to take a little break.

The second part of this interview appears on this blog on February 12. Stay tuned.

Eyes Without A Face, Featured, Lifestyle, Writing, Writing Style

Looking Ahead

January 1, 2018

And so 2017 is in our rear view mirrors. ‘Tis the time to wax eloquent about what the new year, 2018, will bring. I’m not one of those. I’m more rooted in what I can make happen and how I can entertain readers of this blog.

  1. Trust me. I will still occasionally post a blog with social meaning, social commentary, or just thoughts about life.
  2. I want to share more of my work in progress. Some brief bits of new work will appear here before anywhere else. (Later, the bits will appear on my Facebook pages, MadMaxPage, and EyesWithoutAFaceNovel. Completely new work might appear on my BetsyAshton page as well.) Lots of little things swirling around in the old brain that demand to be shared.
  3. I will continue promoting Eyes Without A Face  most of the year, because it’s a terrific story. I’ll share what readers tell me, like this quote:  “Congratulations on a superb achievement! Your book is riveting, original, and impressing. To evoke sympathy for a serial killer is no small task, but you did it. And the amount of research you must have had to do for this novel boggles the mind.” When you share comments, I’ll keep them, respond, and share.
  4. I ask you to review my books, all of them, on Amazon and Goodreads.
  5. I’ll let you know when the next Mad Max book comes out. HINT: February.
  6. And I have yet another novel I hope to get out in 2018.

So putting the angst-filled 2017 behind me, I’m really looking forward to 2018. Thank you for taking this journey with me. I value your support and comments more than I can express.

Happy 2018. Onward!

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